Roger Philippon, a seasoned actor from Lewiston, Maine, is stepping into the spotlight as an understudy for five distinct roles in the Maine State Music Theatre's production of '1776'. This Tony Award-winning musical transports audiences back to the Second Continental Congress in 1776, where delegates from the 13 colonies gathered to debate and sign the Declaration of Independence. Philippon's dedication to memorizing the parts of Caesar Rodney, James Wilson, Stephen Hopkins, the Rev. John Witherspoon, and congressional secretary Charles Thomson is a testament to his commitment to the craft.
What makes this story particularly captivating is the unique nature of Philippon's involvement. Normally, understudies in musicals are cast members who also play minor roles, but this production takes a different approach. Philippon is one of three 'external understudies', not playing any roles but ready to step in at a moment's notice if a cast member falls ill. This arrangement is crucial for the seamless flow of the show, ensuring that the production can continue even if a key player is unavailable.
Philippon's journey into professional acting is a fascinating one. With over 30 productions under his belt at the Community Little Theatre in Auburn, he developed his passion for acting at St. Dominic Regional High School in Lewiston. His extensive experience has prepared him well for this challenge, as he has performed in '1776' multiple times, giving him an intimate knowledge of the show.
The role of an understudy has become increasingly vital in the post-pandemic era of live theatre. Curt Dale Clark, the artistic director of Maine State Music Theatre, highlights the importance of having experienced performers like Philippon on standby. This not only ensures the show can go on but also adds a layer of confidence and professionalism to the production.
Despite his lack of professional experience, Philippon's familiarity with the show and his dedication to memorizing lines have made him an invaluable asset. The challenge of memorizing five distinct characters has been intimidating at times, but his extensive blocking notes and the support of the theatre professionals have made it manageable. Philippon's appreciation for the talent and work ethic of his colleagues has made the experience even more rewarding.
The production's cast and crew have embraced Philippon warmly, treating him as an integral part of the team. His costumes and makeup table, along with the confidence he brings to the production, showcase the trust and respect he has earned. While it's unlikely he'll step onto the stage, Philippon's involvement has undoubtedly enriched the entire experience, making it a memorable one for both him and the theatre community.
